Viewed: 19 May 2002
Directed by: Mike Figgis
Listed in: Movies, Netflix

Seemed very much like an art film, that the most appropriate venue for it would have been a gallery. That could just be the digital video. The story also seemed very transparent, that the actors weren’t actually acting, they were just going through life with these cameras. Even with this transparency it was very self-referential. The pitch that the meeting of producers was at, was for this film. It was hard to watch all of the screens. I focus mainly on the producers meetings, and I more or less ignored the upper right screen with Alex’s wife. It was really cool, has your eye moved around and saw a screen you hadn’t seen in a while, a situation in it had change dramatically. Hard to watch, slow at points but for the most part good.